Archive for the 'Reading' Category

50 Book Challenge, Books 6 through 12

Wednesday, March 9th, 2005

Persepolis 6: Persepolis by Marjane Satrapi. A graphic novel memoir of a childhood in 1980s Iran. The iconic black and white art effectively conveys a girl’s-eye view. By turns funny, thoughtful and tragic. For more information, see this Bookslut interview with the author.
Best American Nonrequired Reading 2002 7: The Best American Non-required Reading 2002 edited by Michael Cart and Dave Eggers. A high-caliber collection containing both fiction and non-. I enjoyed a high percentage of the entries, uncommon in a collection, particularly “Stop that Girl” by Elizabeth McKenzie, now part of her recently published novel of the same title, which was reviewed here at Conversational Reading. CR also did a review of a review of STG.
Doing It 8: Doing It by Melvin Burgess. An English boy coming-of-age novel and the basis for the likely-to-be-cancelled series life as we know it. Funny, likeable characters with distinct voices who are realistically yearning for and agonizing over sex.
Rush Hour: Sin 9. Rush Hour Volume 1: Sin edited by Michael Cart. Again, a very strong collection. I was mesmerized by Terry Davis’ “The Silk Ball,” which interwove Cambodian theology with a tale of modern military violence.
Rush Hour: Bad Boys 10: Rush Hour Volume 2: Bad Boys edited by Michael Cart. I went to see Michael Cart at a conference, which is why he is well-represented here. Yet again, a strong collection. I found “Joaquin Years” by Edward Averett haunting, and was intrigued by Robert Lipsyte’s essay on jock culture.
Girl 11: Girl by Blake Nelson. A coming-of-age novel that was published to an adult market in the mid 90s but featured a high-school senior protagonist. I skipped this book when I saw it the first time, but picked it up after reading a recommendation at Avenging Sybil, a blog that focuses on sexual themes in YA literature. Girl is somewhat dated, but engaging, and Nelson (who is male) writes a believable girl narrator in Andrea. I found the characters emotionally thin, especially Andrea; I don’t know if this was deliberate. Parts of Girl were previously published in the late, lamented Sassy magazine, including the very strong chapters in which Andrea works at a summer camp.
Earth, My Butt... 12: The Earth, My Butt, and Other Big Round Things by Carolyn Mackler, which I previously wrote about here.

More favorite fictional characters

Tuesday, March 8th, 2005

Our 18-month-old son Drake is not immune to bookish delights. Here are some of his current favorites.
Daisy Olivia Frances Rosie Goldilocks

Favorite fictional characters

Thursday, March 3rd, 2005

The Independent asked 100 British literati to name their favorite fictional characters. (Link from Bookslut.) Jane Austen’s heroines did very well. I also smiled to see two of my childhood favorites, Anne of Green Gables and Enid Blyton’s George.

If I had to pick one favorite fictional character, though, it wouldn’t be a female. It’s Billy Prior, from Pat Barker’s trilogy that included Regeneration, The Eye in the Door, and The Ghost Road.

What fictional character means the most to you?

More Good Fiction with Religious Themes,

Thursday, March 3rd, 2005

Please note that the phrase in the title refers to a very different thing than “religious fiction”.

After I posted yesterday’s entry, I thought of a few more works of fiction about religion that I recommend:

SparrowThe Sparrow by Mary Doria Russell
God of Small ThingsThe God of Small Things by Arundhati Roy
Poisonwood BibleThe Poisonwood Bible by Barbara Kingsolver
Bee SeasonBee Season by Myla Goldberg (the far superior Bee book, in my opinion, to the one I mentioned in yesterday’s post.)
Original SinsOriginal Sins by Jamie Delano
Season of MistsThe Sandman Vol. 4: Season of Mists by Neil Gaiman
Golden CompassThe Golden Compass by Phillip Pullman
Wind in the DoorA Wind in the Door by Madeleine L’Engle
Angels & InsectsAngels and Insects by A.S. Byatt

Recommended to me but not yet read are books 2 and 3 in the Pullman trilogy, and Towing Jehovah and Only Begotten Daughter, both by James Morrow.

I am having a hard time coming up with movies that include religious themes that I think are well done. “Angels and Insects” was good but not great, and “Possession” was able to be a decent adaptation of a complicated book because it deleted most of the book’s religious themes.

Anyone? Anyone? Bueller?

Better Reviews Through Religion!

Wednesday, March 2nd, 2005

I like coming up with theories. The good thing about them is that I feel no obligation to scientifically test them. The bad thing is that I occasionally get egg on my face if I expound on one of them to someone learned enough to call my bluff. One of my current theories is that some books and movies with religious themes are better reviewed or liked than their overall quality deserves because while many people have quit institutional religion, they still crave religious engagement of some sort.

The most famous current example is Dan Brown’s The DaVinci Code, a hugely popular best seller, but widely acknowledged to be poorly written and sensational. Other books that I think fall into this category are The Secret Life of Bees by Sue Monk Kidd, and Life of Pi by Yann Martel, both of which I thought held little merit other than perhaps some religious ideas that might be interesting to those who didn’t know about cults of Mary (Bees) or how many similarities there are in different religious traditions (Pi). I had to strenuously avoid The Red Tent a few years back; many women recommended it and tried to lend it to me. I was constantly told, “The writing’s not good, but the ideas are.” Thanks, but I avoid bad writing if I can.

I was reminded of this theory most recently after reading a few glowing reviews of the movie “Constantine”. And they weren’t by blurb hacks, either, they were at The Flick Filosopher and BOTH the Minneapolis Star Tribune and the St. Paul Pioneer Press. Thank goodness the City Pages panned it or I would’ve thought something seriously strange was going on. I’m not going to see “Constantine” because I’m certain that it’s bad. My guess is that the good reviews are a result of some people’s hunger for religious stimulation.

I found it interesting that Roger Ebert dismissed “Constantine” as merely silly. I suspect that Ebert, who often discloses his Catholic background and its influence on how he views certain movies, is actually pretty sorted vis a vis his religious views.

In the interest of similar disclosure, I think I’m immune to the pull of works like these because I’ve spent a lot of time studying religion. I minored in religious studies as an undergrad and went on to get a master’s degree in it. I don’t think it’s impossible to write well about religion or religious history. I just think that one needs to write well to do so.

Here are a few books that I feel pull that off.

A Letter of MaryA Letter of Mary by Laurie R. King
PossessionPossession by A.S. Byatt
The End of the AffairThe End of the Affair by Graham Greene
A Prayer for Owen MeanyA Prayer for Owen Meany by John Irving
Chronicles of NarniaThe Chronicles of Narnia by C.S. Lewis
Princess and the GoblinThe Princess and the Goblin by George MacDonald

What do you think of this theory? Am I full of it? What other books or movies do you feel are provocative about religion AND well done? Or what other examples come to mind of bad books and movies that were inexplicably well reviewed? I’d love for this entry to spur a heated discussion, even if I end up with the aforementioned egg on my face.

All Together, Now?

Tuesday, March 1st, 2005

I’m wondering if perhaps it’s time to make a shift in my television-viewing and comic-reading habits. Rather than indulging episodically, I’d wait for collections, on DVD of the former and in GN (graphic novel) of the latter. I could consume at my leisure. I’d be better assured of overall quality, since well-reviewed and received shows/books have a better chance to be collected. I’d avoid the aggravating and distracting ads. Plus, the ending is right there, whenever I get to it.

One downside is that a good show or book might get cancelled for lack of support if everybody did that. Yet plenty of good books and shows have gotten cancelled even when I did watch them, which only made me more sad when they left me at odds and ends. Often, things get cancelled because they deserve it. Waiting for collections would mean I’d never waste time gambling on duds.

The more serious downside I see is the delay until a collection appears. If a series has a lot of surprises, this leaves more room for spoilage. But the time till collection is getting shorter both for DVDs and GNs, so the benefits are sounding better all the time.

A Few Things about Veronica Mars

Tuesday, March 1st, 2005

1. Veronica Mars is currently my favorite show on television. What can I say? I have a soft spot for girl detectives.

2. Its creator, Rob Thomas, was also a writer and producer on the 1998 show Cupid, which starred Jeremy Piven as a guy convinced he was the human incarnation of the love god. Cupid got a swift axe from ABC. It was funny in spite of Piven’s often-annoying co-star Paula Marshall. Thomas has said that had the show continued, it would have neither confirmed nor denied whether Piven’s character was Cupid.

3. Thomas has also written several teen-fiction novels. I recently read Rats Saw God, which I highly recommend. Rats Saw God

4. Veronica’s dad is played by Enrico Colantoni, who also played Mathesar in the movie Galaxy Quest. Galaxy Quest.

5. The school’s bad boy is Eli “Weevil” Navarro, played by Francis Capra, the great-grandson of the famous film director.

6. The theme song “We Used to be Friends” is by the Dandy Warhols, from their album Welcome to the Monkey House. Welcome to the Monky House

7. Veronica Mars is on UPN Tuesdays, 9 p.m. Eastern, 8 p.m. Central. The next episode airs Tuesday, March 8.

Parenting Books

Tuesday, February 22nd, 2005

I read several parenting books before and after my son Drake was born. Almost without exception, they would make me feel anxious, incompetent, or both. I got rid of the What to Expect… books because they aggravated me so much. I kept one or two others, but over time I hardly refer to them at all. There was only one baby book that I liked, Baby 411 by Ari Brown and Denise Fields. It was a reference book, not meant to be read cover to cover. It was practical and often funny. Best of all, I never felt anxious or incompetent after reading it. Just better informed.

One of the problems I had with the baby books were the lists of developmental milestones. Reading these usually led to me feeling anxious if Drake hadn’t yet achieved a milestone by such and such an age. One of the great things about ignoring the books, though, is that I can now appreciate new skills of Drake’s that don’t get mentioned.

Recently, for example, he is experimenting with walking backwards, on level ground, and up and down stairs. When he does go forward down the stairs holding my hands, he alternates his feet, clearly wanting to do it like we do. Periodically, I see him in a yoga pose, like Bridge, Hero, Downward Dog or Locust. The other night he did Upward Dog in the bathtub. I have never done yoga in front of him; I have not taught him these poses.

Yes, he’s not talking as much as other kids his age. Our doctor told us not to worry and to keep an eye on it, so we are. Not worrying lets me keep an eye on the cool stuff, like baby yoga. I ignore the parenting books and instead try to nurture the small voice of my own parenting instinct. I’m much happier that way. I’m pretty sure that Drake is, too.

Bedtime Story

Tuesday, February 22nd, 2005

My toddler Drake is eighteen months old this week, and has finally worked his way up to listening to every word of both Mike Mulligan and His Steam Shovel by Virginia Lee Burton, and Bedtime for Frances by Russell Hoban, illustrated by Garth Williams. Bedtime for Frances is especially fun for me to read. I get to make up tunes for Frances’ made-up songs, and I very much enjoy reading the voices of Frances and her father, one timid and the other grumpy, in this exchange toward the end. I have a hard time not laughing as I read it. Drake also finds it funny, and laughs at the same place every time. He has a wonderful, gurgly, delighted laugh. It is a joy to hear.

Frances stood by Father’s side of the bed very quietly,
right near his head.
She was so quiet that she was the quietest thing in the room.
She was so quiet that Father woke up all of a sudden,
with his eyes wide open.
He said, “Umph!” [Drake laughs here.]
Frances said, “There is something moving the curtains.
May I sleep with you?”
Father said, “Listen, Frances, do you want to know
why the curtains are moving?”
“Why?” said Frances.
“That is the wind’s job,” said Father. “Every night the wind
has to go around and blow all the curtains.”
“How can the wind have a job?” said Frances.
Everybody has a job,” said Father.
“I have to go to my office every morning at nine o’clock.
That is my job. You have to go to sleep
so you can be wide awake for school tomorrow.
That is your job.”
Frances said, “I know, but…”
Father said, “I have not finished.
If the wind does not blow the curtains, he will be out of a job.
If I do not go to the office, I will be out of a job.
And if you do not go to sleep now,
do you know what will happen to you?”
“I will be out of a job?” said Frances.
“No,” said Father.
“I will get a spanking?” said Frances.
“Right!” said Father.
“Good night!” said Frances, and she went back to her room.

50 Book Challenge, books 2 through 5

Monday, February 21st, 2005

2: Yolen, Jane, Briar Rose. New York: Tor, 1992. Extremely well-done fairy tale interwoven with Holocaust historical fiction that neatly avoids the usual cliches.

3: Thomas, Rob, Rats Saw God. New York: Simon Pulse, 1996. An insightful boy coming-of-age novel, including sex, by the creator of the television series Veronica Mars.

4: Vaughn, Brian K. (writer), Harris, Tony, (penciller), Feister, Tom (inker), Ex Machina Volume 1: The First Hundred Days. La Jolla, CA: Wildstorm Productions, 2005. Collection of the first five issues of new comic-book series about Mitchell Hundred, who acquires strange powers and goes on to become the mayor of New York City. Funny, intriguing, fabulous art.

5: Vaughn, Brian K. (writer), Guerra, Pia/Parlov, Goran (pencillers), Marzan, Jr., Jose (inker), Y the Last Man Volume 4: Safeword. New York: DC Comics, 2004. Latest collection of compelling comic book series about Yorick, the only male on the planet after a plague wipes out the rest.

I recommend them all.

50 Book Challenge for 2005

Sunday, February 20th, 2005

I am a recent convert to Blog of a Bookslut, which has links and notes to all sorts of literary goings-on by Michael Schaub and Jessa Crispin. At the beginning of the year, Crispin noted that there was a 50 book challenge for 2005:

“The idea, of course, is to read 50 books in 2005 and blog about them either in this livejournal community or on your own blog.

I thought, “What a great idea,” and have spent six weeks trying to get around to it. I’m doing the last six weeks retroactively. I’ll try to keep the reviews short; I’ll say it in a sentence, if I can.

1: Swordspoint, New York: Tor Books, 1989. A swordfighting fantasy in which men sleep with women and men, but there isn’t a word for it; it’s just what people do. Quick and fun, but not without literary merit.

Crossovers, not Young Adult

Thursday, February 17th, 2005

I attended the mid-winter conference for the Society of Children’s Book Writers and Illustrators last weekend and was privileged to hear two talks given by Michael Cart, an expert on young adult literature. Cart noted that the market once referred to as young adult was now dividing roughly into three age groups: 10 to 14 years, middle grade novels; 14 to 18 years, teen novels; and 18 to 25 years into a market he proposed referring to as “crossover”. He and many others have long decried “young adult” as derogatory; the books and the readers who are their audience are not somehow less than adult. These crossover books are sometimes books published as teen fiction but read by an older audience, or books marketed to an adult audience that are also read by teens. The marketing department of the publisher makes the call whether teen versus adult. Cart wondered why publishers in the U.S. couldn’t do as some have in England, putting books out in different formats for different markets.

Some books that were published as adult but that featured teen protagonists include The Lovely Bones by Alice Sebold, Life of Pi by Yann Martel, and Prep by Curtis Sittenfeld.

Francesca Lia Block, one of my favorite authors, was this year’s recipient of the Margaret A. Edwards award, which honors an author’s lifetime achievement for writing books that have been popular over a period of time. The Margaret A. Edwards Award is sponsored by School Library Journal and administered by the Young Adult Library Services Association (YALSA). Cart noted that Block was one of the first crossover novelists, whose teen novels were also read by adults.

A recent link from Blog of a Bookslut, though, points out other, less impressive and enlightening crossover books, including the Sisterhood of the Pants books, the Gossip Girl series and others. In a damning comparison, one of the authors hopes that her book will be as popular as Sweet Valley High and Goosebumps books were. For her sake, I hope her book has somewhat more literary merit.

Opting out of the Mommy Wars

Wednesday, February 16th, 2005

I was away for a week, but it’s still taken me some time to put together my own response to the 01/30/05 New York Times piece on mommy blogging, “Mommy (and Me) by David Hochman.

Many of the responses to Hochman’s piece have been angry and defensive. They see his piece as the latest attack in the mommy wars. I used to consider myself a mommy blogger; I even wrote here and here against those who would write against them. I didn’t find Hochman’s piece to be an attack on mommy blogs, though. There was critique, but I also found empathy, e.g.,

Daniel J. Siegel, a psychiatrist on the faculty of the Center for Culture, Brain and Development at the University of California, Los Angeles, and co-author of “Parenting From the Inside Out,” said that what is being expressed in these Web sites “is the deep, evolutionarily acquired desire to rise above invisibility, something parents experience all the time.” He explained, “You want to be seen not just by the baby whose diaper you’re changing, but by the world.”

and

But perhaps all the online venting and hand-wringing is actually helping the bloggers become better parents and better human beings. Perhaps what these diaries provide is “a way of establishing an alternate identity that makes parenting more palatable,” said Meredith W. Michaels, a philosophy professor at Smith College and the co-author of “The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women.” “You’re turning your life into a story that helps answer the question, ‘Why on earth am I doing this?’ ”

Yet many of the responses to the piece, some written by the bloggers quoted in it, were unhappy with it, and disagreed with statements like

Today’s parents - older, more established and socialized to voicing their emotions - may be uniquely equipped to document their children’s’ lives, but what they seem most likely to complain and marvel about is their own. The baby blog in many cases is an online shrine to parental self-absorption.

I found that Hochman’s piece contained both empathy and criticism and I appreciated both. Yet the responses relayed mostly a perception of criticism:

Andrea Buchanan of Mother Shock grumbles here that her book but not her blog was named, and disagrees that parental blogging is anything “remarkable.”

Alice Bradley of Finslippy calls it “faintly damning” here.

Melissa Summers of Suburban Bliss says here that it’s “vaguely insulting.”

Ayelet Waldman of Bad-Mother gripes here that she was only quoted on the second page. Read down to a comment by “metacara” that is critical of Waldman’s comments in the article.

Heather Armstrong of Dooce notes here that

I had a hard time containing my glee � not because I and some of my fellow women writers were made out to be selfish, resentful, overreacting pigs in search of validation; funny that none of us were informed that the article would run with that notion when we were interviewed � but that my child�s green eyes were staring at me from the pages of a national paper.

T.O. Mama of MUBAR writes here what most other mommy bloggers say is the best and most balanced response to Hochman’s piece. She says “the article was not troubling itself but it raised some tricky issues.” Yet what’s interesting is the string of comments that follows her post, most of which criticise the NYT piece, and don’t acknowledge it as complicated.

Jen Weiner (pronounced WHY-ner, not WEEner, FYI) of Snarkspot clarifies, with her tongue firmly in cheek, here that her blog “isn’t just an ‘online shrine to parental self-absorbtion.’ It’s an online shrine to authorial self-absorbtion, too!”

I think Weiner’s comment is interesting, because she acknowledges on her blog, as she did in her quote in the NYT piece, that the parent blogs are self-involved. Her breezy tone, though, refuses to let this stick as a judgment. She goes a step further to say that her blog (a journal/diary type of blog) was self-involved before her daughter arrived, and has remained self-involved beyond her daughter since she became a mother. Weiner’s quote implies, correctly, I think, that many blogs are self-involved. And it’s that point that T.O. Mama took issue with from the NYT piece. Not that mommy blogs were being questioned, but that they were being questioned while other blogs weren’t; why are moms singled out for special attention and criticism?

Perhaps the most prevalent gripe about mommy blogs is that many are poorly written. True, but there are a lot of poorly written blogs out there, mommy or not. And while some are poorly written, others are both well written and funny.

So what’s the harm, then, if they’re well written and funny? They can be entertaining, and, as noted in Hochman’s article, they can also help struggling parents out of isolation.

One harm is noted by Hochman, who wonders about what the child in the future will think, “But the question is, at whose expense? How will the bloggee feel, say, 16 years from now, when her prom date Googles her entire existence?”

Hochman further quotes blogger Ayelet Waldman, “Fundamentally children resent being placed at the heart of their parents’ expression, and yet I still do it.”

Additionally, much of the content of mommy blogs is venting. Venting, in short spurts, can be a good thing. It releases pressure so that a system can function in equilibrium. But venting as a matter of everyday practice isn’t healthy, for either the ventor or the ventee. It devolves into bitching. Griping. A lowest common denominator of discourse.

The author of the weblog Mental Multivitamin noted the harm of such venting in an email she wrote in the wake of the NYT piece that she quotes here:

…if, in fact, weblogs are a historical record of the everyday (as the NYT suggests), [then] angst-soaked entries about the flu or potty training or whatever will be prevailing message of our time — not, for example, the pursuit of a rich interior life via reading, thinking, learning; that child- and spouse-bashing, however cleverly written, will represent the common experience of the ordinary mother, not celebration, wonder, merriment….

For more on parenting and mommy blogs by Mental Multivitamin, see her response to the Hochman article here. Interestingly, she also focused on the criticism rather than the empathy in his piece; unlike the other writers I’ve noted, she applauded his critique.

I have a further concern, though. Even if books and blogs contain both “angst-soaked entries” as well as “celebration, wonder and merriment”, then I believe that the former is what leaves a more lasting impression; I don’t believe a reader gets a balance of both. When writers detail the drudgery and the joy, the drudgery gets more print. It’s more concrete, it’s more physical, while the moments of joy and wonder are more fleeting and often emotional. The response to Hochman’s piece mirrored the difficult, if not impossible task, of creating a balanced portrayal that includes both difficulty and joy. His piece contained both, yet the negative got the most attention.

I wrote on one of my previous sites, Mama Duck, here, about how telling the truth about the difficulties had been a trend in recent motherhood books that I found myself unwittingly repeating in my mommy blog. I vowed to try harder. That was last June. Even with that awareness, I still feel like I failed to overcome the focus on the mundane that Mental Multivitamin decries.

In the 1950’s, we had a June Cleaver portrayal of motherhood as noble and tidy. Then there was the antithesis of telling it like it is, starting in the mid 1990’s, perhaps most notably with Ann Lamott’s memoir Operating Instructions. Now that antithesis is reaching a fever pitch with the mommy blogs. Again, we have a backlash, the unfair criticism that T.O. Mama questions. The backlash means that the antithesis of the truth-telling is no-better than the fog filters of yesteryear. I take this as a challenge to move toward a synthesis: something that celebrates the joys, tells the truth about the pain, but doesn’t dwell so much on the latter than the former is effaced.

Like many others, I was blogging before I became a mom. I blogged about pregnancy, birth and motherhood because I was so gobsmacked by the experiences. I felt unprepared and very alone. What the New York Times piece and what the multitude of responses to it have done, though, is to make it very clear that while I felt alone, I never was. There is an ever-growing number of books and blogs that proves that many women (and men) are surprised and frustrated by the challenges of parenthood. The point I have reached, then, is that there is no need to add my voice to the crowd. I no longer care to participate in the “motherhood is hard” discussion. This is not just true of writing, it’s also true of reading. What I write is inextricably tied to what I read. Reading and writing about the tough stuff just encourages me to focus on the difficulties, instead of keeping my eyes open for the moments of joy and surprise.

I became a parent because I wanted to learn. What I want to write about is that learning process, both in being a parent and in general. I will still write from personal experience, which includes motherhood. But I’m going to write in a way that emphasizes the learning and the joys. I’m not going to pretend that the tough stuff doesn’t exist. But I think I’m going to share that privately, rather than with all and sundry online.

Fashion for all women

Wednesday, February 16th, 2005

From Carolyn Mackler, The Earth, My Butt, and Other Big Round Things, (Massachusetts: Candlewick Press, 2003):

Strawberry is a funky discount store that I’ve browsed in before, but I’ve never had the guts to buy anything there. I like that they have cool clothes in every size, from extra-small to extra-large. And they’re all mixed together, so the fat girls aren’t banished to the fat floor where the dresses look like gunnysacks and the mannequins resemble embalmed grandmothers. (P. 187)

I just finished this book, and recommend it. It’s shelved at libraries and bookstores in teen fiction, formerly known as young adult–more on that distinction later, I promise. The main character, Virginia Shreves, has an emotional depth of character and a strong, funny voice.

I’ve written before about fashion injustice for non-mainstream sizes here, and here.

The brain is a muscle

Sunday, February 13th, 2005

It has been fascinating to see Drake develop as a reader over the less than 18 months he’s been alive. Over the past six months he has become more involved in reading all the time. If we hold out two books, he will imperiously push one away. Once we have finished reading a book, he will shut it, flip it over and return it to my hands, indicating that he wants to hear it all over again. When he’s done with however many times he wants to hear that book, he’ll slide off my lap, toddle to his shelf of the bookcase and return with another selection. His favorites shift and change. There are certain books that we haven’t read in months, and others that we suddenly see returning to the rotation. He has an extensive collection of board books, but over the last few months I’ve been supplementing those with paper picture books as well. When he first listens to a new book, especially a longer picture book, he doesn’t make it all the way through. He’ll bring the book over again and again throughout a day, and day after day. Over time (not even necessarily each time; it’s more gradual than that) he will listen to more words on each page, and listen to more pages out of the entire book. Yesterday he sat through more of Mike Mulligan and his Steam Shovel by Virginia Lee Burton than he ever yet had. Tonight he listened to nearly all of Bedtime for Francis by Russell Hoban, after which he insisted on two times through Come Along Daisy by Jane Simmons, followed by Goodnight, Moon by Margaret Wise Brown. We finished with Mike Mulligan, after which I spirited him into his bed before he could ask for another. It is clear that his mind is growing and stretching with each reading. It’s also clear that he wants this exercise; he brings the books to us again and again. While we have been guilty of occasionally “misplacing” certain books that we’d read past our point of tolerance, my husband and I almost always follow Drake’s lead, reading the books he wants as many times as he wants to hear them. Yes, occasionally it can be tedious. But really, truly, watching a person come into being as a reader? It is stunning.

Battlestar renewed

Friday, February 11th, 2005

Thanks to Blogenheimer for the news that Battlestar Galactica has been renewed by the Sci Fi channel for a second season. According to Sci Fi Wire, creator Ronald Moore wants the second season to address questions of religion.

A few years ago, I attended the annual conference of the American Academy of Religion. Dr. Ross Kraemer, currently a professor of Religious Studies at Brown University, chaired a session on Star Trek and religion. The purpose of the session was to determine whether there was sufficient interest and material for a scholarly investigation. The answer must have been yes, because she went on to co-author Religions of Star Trek with fellow religious scholars William Cassidy and Susan Schwartz. Unfortunately I remember little of the session, other than that it was quite crowded, and that Dr. Kraemer firmly but politely shut down an eager audience member who wanted to know her thoughts on religions in Babylon 5.

Point of trivia: did you know that one of the races portrayed in Babylon 5, the Gaim, was named for Neil Gaiman? They sported stylized gas masks like that of Morpheus in early issues of Gaiman’s Sandman.

Dr. Kraemer’s scholarly focus is usually women’s religion of the Greco-Roman world. She is perhaps best known for her work on the text known as “Joseph and Aseneth,” a piece thought to be included in the pseudoepigrapha. More on the story of Joseph and Aseneth can be found here, including reviews of Kraemer’s book When Aseneth Met Joseph.

What not to see

Thursday, January 27th, 2005

Here’s why the movie Constantine is going to suck.

1. Movies based on comics almost always suck. Recent notable exception: Spider Man 2. It helps if it’s made by a fanboy.

2. Keanu is seriously miscast for several reasons. The character of John Constantine is smart, blond, and English. He’s also in his early forties. Keanu is too young, stupid, American and brunette to play this part. Keanu only works in movies where he’s playing a NVB (not very bright) character: Bill & Ted’s Excellent Adventure, Speed, the Matrices. You know who would’ve been great as Constantine, though now he’s perhaps a bit long in the tooth? Sting.

If the premise of Constantine sounds interesting to you then get to your nearest comic shop and pick up a copy of the GN (graphic novel) Hellblazer: Original Sins, by Jamie Delano et al. If you like it, then pick up some of the other Hellblazer GNs by Garth Ennis. Various authors have done awful things to the Constantine character over the years (as in the current Books of Magic series, which aggravates me) but these early collections are quite good.

One more luxurious thing

Wednesday, January 26th, 2005

I forgot one thing I did while I had my getaway last weekend, and it was to browse in a well-stocked book and music store. I went book by book through the young adult section and then traipsed around the whole store looking up books that had been on my list for a while and seeing if they had them (almost without exception, yes) and if they looked cool enough to stay on my list (also mostly yes.) I had time both before and after the movie to do this. It was so much fun to browse with no time limit, with no one waiting for me. I managed not to buy any books, but I was persuaded to buy two CDs from my list, since one was on sale and the other was relatively inexpensive, and I played them both once I got to my hotel room: Tift Merritt, Tambourine and Neko Case, The Tigers Have Spoken. So far, I’m pleased with both purchases.

It makes me crazy

Monday, January 24th, 2005

Or, as my husband G. Grod would be quick to note, crazier than usual. I’m reading multiple books right now, and I’m having a hard time of it. I can’t tell if I’m feeling fuzzy and fragmented as an effect of being in the midst of multiple readings, or if I’ve broken my usual hard and fast rule against multiple books because I’ve been feeling out of focus.

No matter. Either way, as cause or effect, I am not an advocate of being in the midst of multiple books. I hate multi-tasking. Thus it is good that I no longer have a corporate job, and bad that I’m a mom because it’s very, very hard to just do one thing at a time while caring for my toddler, Drake.

I formed my hard and fast rule some time ago, when I realized that reading more than one book at a time just made each one harder to follow, and slower to finish. So it’s been one book at a time for some time now.

I’m gearing up for a writers conference, though, and I’m also trying to put some finishing edits on novel #1. So I put the novel I was reading–Tam Lin by Pamela Dean–aside so I could read something more relevant to the tasks at hand. I then picked up The Best American Non-Required Reading 2002, edited by Michael Cart and Dave Eggers. I also started on the articles from the most recent edition of the Children’s Writers and Illustrators Market. In the midst of these I’ve been reading a lot of different comics (Fables, Books of Magic, 100 Bullets, Gotham Central, Y the Last Man, Ex Machina, Girl Genius, Planetary….) My head is spinning with fact and fiction, and I’m wondering about the easiest way to get off this merry-go-round yet still do the reading I need to do.

It’s probably not reading more comics. But I think that’s what I’m going to do anyway. Perhaps it’s my subsconscious telling me I’m not getting my daily recommended allowance of fiction by reading the Cart/Eggers collection and the Writer’s Market. See what happens when I don’t get fiction? It’s not pretty.

Free Content

Friday, January 14th, 2005

In a comment on my dictionary entry, Zen Viking called me on my rant about free content and challenged me to elaborate.

I am sure that given a lot of time, I could write a lengthy and well-reasoned treatise on this. I don’t want to spend time on this, though, which is part of why I think content should be free. If I have to pay, or enter a whole lot of personal information, or own a computer to access information, then information is slow to get, it’s unjust in distribution and makes doing what I’m doing (in this case, writing) more difficult.

Copyright laws were invented to encourage creators to create. Over the years, they have been warped by many, including Disney, to protect profit. I don’t believe that every book, magazine, movie, newspaper or DVD should be free. I do believe there should be a free form of it, though. I also believe that restrictive copyright laws do more harm than good.

If you are interested in delving into this issue more deeply, then my husband G. Grod recommends the work of Lawrence Lessig, a law professor at Stanford University, and author of Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. Lessig was also tapped as an artist of the year by the Minneapolis City Pages, but so were Kevin Smith and Garrison Keillor, so there is some dubiety to the distinction.